SHORT BIOGRAPHIES AND A
POSTSCRIPT

Robert Lewis Force
The way it all finally worked out, at one time or another I
was the youngest in a family, the oldest in a family, an
only child, a bachelor child, and a boarded child, and now I
can lay claim to nineteen half and stepbrothers and
sisters.
Eleven days before turning twenty, I won $18.50 in a poker
game, decided it was time to learn how to play music, and
went and bought a dulcimer from an Austrian immigrant violin
maker who said he got the idea from a 1945 edition of
Popular Mechanics.
In the next five years I hitchhiked 150,000 miles through
forty-four states and seven foreign countries, taught myself
to play the instrument, and set about communicating what I
had learned to others. My constant companions were a
backpack, sleeping bag, several dulcimers, two changes of
clothing and twenty-five pounds of notes and notebooks. My
not so constant companion was Al d'Ossché.
We met at the 44th Annual North Carolina Fiddlers'
Convention through the mutual discovery that out of the
50,000 people in attendance, we were the only dulcimer
players. Together, we've played on television and radio, at
folk and bluegrass festivals, coffeehouses, colleges, street
corners and subway stations.
During those times, people asked us to show them how to do
what we do. So we hauled out the twenty-five pounds of
notes, analyzed them, boiled them down, analyzed ourselves,
got boiled ourselves, wrote, rewrote, changed, added to,
wrote, and rewrote this book.

Albert Kempton d'Ossché
Once it was all simple and straightforward. But at eleven, I
was living in California and was sent to study in New
England; at eighteen it was college in North Carolina, and
at twenty-two it was to be law school. But somewhere along
the way certain things began to make increasingly more sense
as others made less, and as nature abhors a vacuum, dulcimer
playing began to occupy more of my time.
I left North Carolina diplomaed but dulcimerless. My first
instrument (a three-string "flatland tourist special") found
its way into my life while I was living in self-induced
exile six miles from the Canadian frontier in northern
Vermont.
After a few months of solitude, and the prospect of an
intense Vermont winter, I decided to take a hint from the
migrating geese and head south where I belonged. This notion
was dramatically confirmed one morning when I woke to find
my dulcimer's strings resplendent with tiny icicles and my
old convertible covered with more than a foot of snow.
It was to Washington, D.C., that I went, and at just about
this time, Bob and I careened into each other's lives and
found that our techniques and music were somehow forming
along similar lines.
I began adding to the ever-enlarging pack of notes and was
seen lugging parts of them around in a backpack. Later we
went to Munich, where we wrote the original manuscript,
built dulcimers in a friend's kitchen, and lived the
émigré life.
While Bob continued his travels, I lived in northwest
Connecticut building dulcimers, teaching dulcimer at a local
school, and reworking In Search of the Wild Dulcimer. But
now that this book is in your hands, I've hit the road
again, too...and so it goes.
A postscript on us
both...
In the nearly twenty years we worked and traveled together,
Albert and I had the good fortune to touch a great many
lives. We played, we sang, we wrote a lot of songs and
careened up and down the dulcimer fretboard with an
incurable zaniness.
We fed each other's souls and were the best of friends in a
way that only music can create or sustain.
And now he's gone and I miss him sorely.
Looking back on our time together, sifting through the
memories, the moments that truly shine are the ones in which
we were lost in song. A reviewer once said of us that we
were, "the masters of accidental harmony." I liked that.
In the process of studying the dulcimer we learned about
ourselves, and as a bonus, gained a small window on the
world as well. And when neither one of us was expecting it,
from time to time, we also got to experience Harmony.
...and I wish the same for you.
I have been honored and privileged
to be permitted the opportunity to assist in putting
In Search of the Wild Dulcimer on the web,
available to anyone who would find it useful in awakening
the music in themselves.
On quiet moonlight nights, I sometimes sit on deck under the
stars, playing soft tunes on my dulcimer. As the music
floats across the harbor memories of dear friends Robert and
Albert drift across the mind.
Although I am now far away from their physical presence, the
music they brought into my life and the delightful times we
spent together will always be part of me.

A special note of thanks to you Dear Friend Albert.
The times we shared together provide many
wonderful memories. Your spirit still sings from
the beautiful dulcimer you crafted for me. Her
voice has become richer through the years of playing.
As sometimes happens with these accidental
harmonies, crafting these web pages awakened songs in
me, bringing the joys of music into my life.
To those of you who should chance to pass this way, I offer
the best song I know,
Find the Music in Yourself,
Play Now!, Play Frequently!
captn' barefoot john
Wellyn International ©2000-02 Revised 3/24/2002
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